C&C 2020
Someone call for a dystopian future au? Sometime around 2013 (THIS IS NEW, GUYS, WE'RE JUST SLIDING THE SHIT HITTING THE FAN FORWARD A FEW YEARS OKAY), the government in the City decided that they'd had enough of these superhero antics. There was a nationwide crackdown on metas, requiring registration upon penalty of incarceration. The network was shut down, and many residents were scattered to the winds. There are a few that stayed in touch, however. That's where you come in.
For some of you, this might be from before your time. Not to fear! Since it's a highly flexible splinter universe, there's pretty much no such thing as canon. Retcons abound, either as allowances for contradictory canon information (except for the premise, of course), or even just if the player wants to change something around!
So, use this post as a free-for all. New characters get new projected histories, dropped characters can be said to have come back, and old characters can be reexamined or given more story. On Sunday, an open post will be put up in ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
cnc2020 proper, so use this time to work out information and pimp this out to players who're eligible but may not see this (you can also ahead and start your own posts in that comm)! Remember, any character that has been played in maingame is automatically good to go.
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goshdarnspam2011-09-03 08:47 pm
ALSO C/PING FROM LAST TIME HATERS GONNA HATE
This is Justine Florbelle. Justine was imPorted sometime around 2011 or 2012, and adapted beautifully. Bureau? She chirped, tucking her hands behind her back. Why, of course she'll register! She's nothing special, but it would only be right.
But while she's here, couldn't she work for them? She's from another time period, after all, and she has so much to learn. And this is an enterprise of science, is it not? There's just so much information she could glean.
It wasn't long before she worked her way into the labs, and up the rungs within them.
It's a widely accepted fact within the Bureau prison that if you hear a high pitched giggle or a cooing insult with a French accent, to try not to attract attention. If she comes to your cell, there's no telling what might be in store for you. Because Justine is creative. And she does not see the inmates as anything other than test subjects.
(As a point of interest, Daniel as a torture device was her idea, and she's simply delighted at how well that's panned out.)
no subject
no subject
no subject
no subject
with abuse
no subject
no subject
and engage in all the torture
because you know, science!
(and also because it's really fun)